Taking in the film in a dark cinema will heighten the thrills, and the sights are deserving of the biggest screen possible. If you’ve remained in the dark about Nope I suggest you do so all the way up to the curtains opening. Nope paints a pathetic portrait, portraying the perils of a love of the spotlight. The likelihood of the latter becomes greater as the film progresses, yet the base desire never dissipates. To catapult themselves to fame and fortune, or die trying. Throughout the movie characters are determined to control something they don’t understand. The film compels you from beginning to end but not without a challenging proposition. Like the love child of Hitchcock and Spielberg, Nope is a spectacular scare. Throughout this hopelessness, Nope manages to invoke awe for its imaginative visuals. The character’s underdog status is increasingly pronounced as the odds get stacked against them. As the film unravels its secrets, there’s a feeling of dread that gets more pervasive as the film goes on. Tension abounds in the film, but there’s also no shortage of spectacle. The plot is intriguing, and solidifies director Jordan Peele as a veritable master of suspense. The film has left much to the imagination leading up to its release, and it’s all the better for it. To say more than that would be depriving the audience of the movie’s several surprises. Nope follows the siblings as they try to document their close encounter. For siblings Otis and Emerald Haywood, the characters brought to life by Daniel Kaluuya and Keke Palmer, their instinct is not to flee, but to film, and capture the shot of a lifetime. Personally, in the presence of such a thing, I would opt to hightail it in the opposite direction. A phenomenon that’s completely alien, and the only thing that feels familiar is how distinctly unfamiliar it is. Sometimes you see things you can’t explain.

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